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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The artist and her family, c. 1854 by Martha Berkeley

Presence and absence

Magazine article by Joanna Gilmour, 2018

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

The Memoirs of George Barrington

The Library

General content

By the end of the eighteenth century, crime, criminals and punishment were standard subjects for those engaged in the English print trade.

Percy, Reginald, Monty and George Faithfull, undated by Henry Dorner. Image courtesy the National Museum of Australia.

An affray which deserves particular mention

Ben Hall and his gang outdone, 6 February 1865

About Face article

Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.

Robert OHara Burke, 1860

The Parlour

General content

The Victorian era has been described as one wherein death was a part of everyday experience. People died at home having been nursed in their final illnesses by family members.

Tom Wills, c. 1870 by William Handcock

Secure the shadow ere the substance fade

Magazine article by Joanna Gilmour, 2015

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

Henry Louis Bertrand, ca. 1865 photographed by the Milligan Brothers. Collection of the State Library of NSW

A passion eating into your vitals

The ‘Mad Dentist of Wynyard Square’ in court, 18 December 1865

About Face article

The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.

Andrew George Scott, alias Captain Moonlite, c.1879 attributed to Charles Nettleton

The Portrait Gallery

General content

Photography played a significant role in the circulation of messages about law and order, and in the creation of sensation and celebrity.

Self portrait

Home truths

Magazine article by Joanna Gilmour, 2013

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Andrew George Scott, alias Captain Moonlite, c.1879 attributed to Charles Nettleton

Diseased curiosity

Captain Moonlite et al on trial for murder

About Face article

Just after 10.00 o'clock on 3 December 1879, four prisoners were brought from their cells at Darlinghurst Gaol and placed in the dock of a courtroom heaving with agitated spectators

James Mccabe Executed Jany. 6th 1826

The consolations of religion

A bushranger meets his maker, 6 January 1826

About Face article

James McCabe provides proof that hanging wasn’t necessarily a fate reserved for the perpetrators of murder and other deeds of darkest hue.

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century.

Jack Charles

National Photographic Portrait Prize 2012

Previous exhibition, 2012

The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

A surface against which we can move, 2014 by Sam Leach

No small wonder

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.

George and Jemima Billet with family

Costantini's convictions

Magazine article by Joanna Gilmour, 2017

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

Richard Morecroft & Alison Mackay

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency